L' Acconciature dei cappelli, sono raccolti lateralmente, oppure sciolti con dei fiorellini come accessori, mentre per chi ama i capelli alzati suggerirei lo Chignon morbido. Il bouquet deve essere con tante foglie verdi e fiori di campo con colori tenui, particolarmente avvolti da un nastro di pizzo e seta per renderlo più "Chic"! Solitamente questi abiti retrò sono lunghi o sotto il ginocchio con applicazioni in pizzo o interamente in pizzo. L'abito da sposa "Retrò Chic" perfetto per le donne romantiche e sognatrice, senza mai perdere di vista lo stile fashion. Each one of the tracks produces stories in my head.Idee, ispirazione per creare un Wedding Retrò Chic! Some of the music I’ve included here is on mixtapes we made when we were just friends as teenagers. I collected all the songs together with my partner Alex and we just spent time listening to records, trying to see what would fit together. "I was surprised at how much time I ended up spending on this. Somehow, Ms Obel makes even makes the electronic tracks bow to her needs as with Yello whose ‘Great Mission’ is more Martin Denny than Underworld and cult Greek composer Lena Platonos’ ‘Bloody Shadows From A Distance’ pulses gently rather than throbs and Can’s recently rediscovered ‘Obscura Primavera’, unusually hushed. There are the plangent voices, The Bulgarian Folklore Choir, Nina Simone, Ray Davies and Agnes herself, ringing true. This is aided by a veritable cornucopia of new Obel material, including a haunting reading of Danish song ‘Glemmer Du’, Inger Christensen’s ‘Poem About Death’ set to original music, and an Agnes original, ‘Bee Dance’.Īmong them, there’s the enigmatic Jamaican singer Nora Dean who weighs in with the hypnotic and slinky Duke Reid production, ‘Ay Ay Ay Ay (Angie-Lala)’ and the sparse, sardonic ‘Party Girl’ by Michelle Gurevich, so good it inspired the eponymous French movie. There’s a quietude about it all, the antithesis of a rush hour, like a frozen lake on a Sunday morning. It went platinum in Belgium and gold in Denmark and France.įor the mix you have in your hands it feels almost as if Agnes has scoured the world looking for kindred spirits – or kindred songs. The follow-up Aventine, released in late 2013, was imbued with the same measured calmness as her debut. “I love it when the voice becomes an instrument and you almost forget it’s a human voice.” Never is this more apt than on this beautifully programmed and bewitching selection of music.Īgnes’ 2010 debut album Philharmonics went platinum in France and Belgium and, unsurprisingly, quintuple platinum in her native Denmark, where she also won five Danish Music Awards (equivalent to the Brits) in 2011. “To me, sounds have always been more interesting than words,” says Agnes Obel.
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